![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB2nz2bXRq-zD7YFUfsCMebb7S1hynRioQWpSHNN7jtcdWPmQ9imUXg7XszzqsFHm_RGL75Tlww3pdZTsufnq83N2xQkwhaHo-m2AgITF7Zwbm3htZL9wzyOFB49TkMhSM39MfuV04dK0/s200/SkullSketch_3.jpg)
I used charcoal pencil for the darks and a white charcoal pencil for the highlights. The medium tones are comprised of a touch of charcoal in places but mostly is simply the toned paper showing through. This is a new technique for me and I really enjoy being able to work from both ends of the tonal scale rather than simply building up darks with graphite. The charcoal limits the fine details I can produce compared to graphite, but it does push the darks much deeper than is typical for my drawings. This scan is nearly identical in tone to the original.
Here are some of the preliminary drawings I made before the skull drawing.
I've also been reading a new book, The Human Career: Human Biological and Cultural Origins, by Richard G. Klein. It's a textbook, so it's a massive tome (just shy of 1,000 pages) but is definitely a lucid exposition on the field of human origins. I haven't read much in the way of human development since the early 1990's, which was prior to the knowledge boom following the complete sequencing of the human genome. Some of the more recent discoveries have shed significant light on our understanding of our early history and I feel like a student again relearning a subject that has changed significantly since my first exposure.
I'd really like to delve more deeply into scientific illustration as it pertains to human origins and archaeology, so I'm hopeful that there may be opportunities to do this in the future.
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